"“Chris Stuart-Wilson brings wit and imagination as well as a knowing affection to the iconic movement” THE TIMES (Chicago)
"Brisk and inventive" THE STAGE (Chicago)
"Chris Stuart-Wilson’s choreography is grand, delivering some fine moments the whole cast can share" THE SCOTSMAN (Carousel)
“it's Chris Stuart-Wilson's choreography, Hilary Brooks's musical arrangements and Adrian Rees's perfectly colour-ordinated set and costumes that give the production its oomph.” THE HERALD (White Christmas)
“Choreography by Chris Stuart-Wilson is outstanding (particularly enjoyed the finger tap dance).” THE STAGE (White Christmas)
“What gives Durnin’s production its real wow-factor, though, is the quality of the dancing and design; in the I Love A Piano tap-dance sequence, Adrian Rees’s black-and-white set and costumes combine with Chris Stuart-Wilson’s choreography to dazzling effect.” THE SCOTSMAN (White Christmas)
“Chris Stuart-Wilson’s sharp and witty choreography also plays a crucial role throughout.” THE TIMES (Kiss Me Kate)
“The Ensemble sing and dance with vivacious energy (“Too Darn Hot” is a magical show stopper), and choreographic style (“Brush up your Shakespeare”)” EDINBURGH GUIDE (Kiss Me Kate)
"innovative choreography from Chris Stuart-Wilso)” THE STAGE (A Chorus Of Disapproval)
“excellent choreography by Chris Stuart-Wilson” THE SCOTSMAN (Hello, Dolly)
“slick and witty dance numbers, choreographed by Chris Stuart-Wilson.”….) THE SCOTSMAN (A Midsummer Night’s Dream)